Etymologies & Energectic Semantics

Planets on a string

This world model combines several seemingly contradicting properties of our world without adding any new ones. It also bridges to the view of the Universe as a system of resonances of vibrations (e.g. the ancient Spandacarica , see also the modern description of Daniel Odier ‘La Voie’) and especially the modern notion of ‘chakras’. In short, it is postulated that the physical reality is structural congruent with the energetic reality (chakra system and energy bodies in general), and with its mathematical abstraction as vibrational system in general (via the Helmholtz Equations).

The German physicist Hermann von Helmholtz (1821- 1894) explored the the interfaces between physics, physiology, and psychology. His book “On the sensations of Tone” (1862) provided a generic model of a universal resonator (see image above).

The model proposed favors the premises and conclusions of the theory of Shape Dynamics.and its restriction to “objective observables,” in respects to the phenomenon of time while maintaining the framework of Einstein’s theory of General Relativity.

Summary

In the heart of the ‘Planets on a string’ model we find the concept of a concave Earth, an unproven but not (yet) falsified theory of the model of our world. (For a comparison between models of Earth, see Concave Earth Theory).

The problems of pole anomalies find surprising answers when we replace a closed sphere with open-ended sphere, an object proposed by Helmholtz in 1892. We can now combine more than one Earth to a string of Earth implementations which are connected via its pole openings.

Such a structure is strikingly similar to the human ‘chakra system‘ and we can posit this to be based on a general structural conformity. If so, such structures follow the proportions according to the Fibonacci series which can be called a general growth function. In other words, we can see the physical world manifestation based on ‘natural’ growth and integrate ‘time’ as a geometric vector according to Shape Dynamics.

The ‘Planets-on-string’ Model provides us with a direct link to the basic equations of the Universe, known as the Maxwell’s Equations and their relation to the Helmholtz Wave Equation. A concise yet simple demonstration of how this works has been written up by Benjamin Klein here.

Many of the properties of these models can be observed (and used!) directly during awareness-based clearing, notably the ‘right-angle’ method and the resonance method in Epigenetic T uning & Reprogramming, hinting further to the universal applicability of this model.

Sculpture: Medusa (Sandor, 2008)

Height: 260 cm, width of top part: 120 cm
Weight: approx. 20kg
Material: Scrap metal, metal post
Installation: metal base. cemented into ground, post with 20 degrees inclination, secured with 2 steel wires

History and Purpose

Dedicated to the Greek Gorgon called Medusa, a female archetype about which a multitude of contradictionary and confusing articles have been written.

Originally a legend from the time of the rule matriarchs, it was said that no man could look at her without turning into stone.

In Wikipedia, the limitation to ‘gazing males’ has been dropped, as well as the information that the Perseus legend was added after the introduction of patriarchism.

The archetypal scriptlet of ‘turning into stone upon looking’ can be found in various different places of human cultures. In the Bible, Lot’s wife turned into a pillar of salt after looking over her shoulder at the Sodom and Gomorrah. In many cultures, looking over one’s shoulder is considered bringing bad luck.

In Ifá tradition, these scriptlets are part of Odù Ifá Odi-Osa and the name Me-du-sa reflects this concept in its ‘energetic semantics’.

This sculpture, in its current location in the Sandorian Grove, has been located in front of Sandor’s mosaic representation of the maze from the myth of the Minotaur on the island Crete.

Edward Dawson: Rte

Rte

Hello, my name is Edward Dawson. I have a wide range of interests, and these include spiritual knowledge, ancient languages, and ancient history. Recently these three came together along a line of historical research.

I occasionally write for The History Files, a massive online world history website run by Peter Kessler. Most of what I do for Peter is analyze the names of old European tribes to discover their meanings. While investigating the names of old German/Scandinavian tribes I ran across the German legend, recorded by civilization to the south, of Mannus and his three sons. Mannus of course means man, so we can’t regard these as real people, but instead a distorted legend of ancient German history. So according to what was written down, the three sons of Man would be (phonetically in English) Ingway, Istway and Hermin/Ermin. Ermin is of course a form of the ancient Indo-Iranian god called Varuna in India, also known as Ouranos/Uranus in Europe. I had the most trouble with Ingway, whose stem ing- I eventually realized was a cognate of the Avestan/Old Iranian word anghu – meaning life, being, spirit, existence, (extended meaning) the world, people of the world. This only came after I noticed a number of Avestan words beginning with ‘a’ had cognates in German languages beginning in ‘i’. This included . . .

Istway. I scratched my head for quite a while over why the hell a ‘son’ of Man would have a name starting with the verb to be, ist. It was not until I began looking at the second half of that name did I understand. The word pronounced ‘way’ (in the original -vae) means exactly what the modern English word ‘way’ means: a path, road, route, or by extension, anything to follow. But that makes perfect sense because English is a German language.

So Istway is the path to follow of what is. That sounds like one of the words for truth to me, truth is what is.

Parallel to this historical research I also was curious about something in Hindu philosophy called Rte. In reading about it I saw references to its co-origin in a Zoroastrian philosophy called Asha, where it was originally written as ‘Arte’. In a flash I saw it. Rte and Arte were the verbs to be, cognate with the older English word ‘art’. I looked up ash- in Avestan too and sure enough asha means truth, righteousness, world order, eternal law, fitness; and asti means is, or in German ist, with the ‘a’ converted to an ‘i’.
So what were the Germans doing following an Indo-Iranian philosophy? The next clue came from genetics.

There are two main ways of following the ancestry of people by gender. In women you use the mitochondrial genetic code, and to follow male lines you use the Y chromosome genetic code. Indo-Europeans predominantly have a code called R1, with some peoples possessing the R1a variants, and others the R1b variants. The R1a is found in Balts, Slavs, Indo-Iranians . . . and some Germans. Closest to the Germans geographically were the Balts and Slavs. But the Germanic languages do not show a basis in Baltic or Slavic tongues. They do show influence by Indo-Iranian. This indicates that long ago some steppe nomads, probably proto-Iranians of some sort, made it to Denmark, and judging by the genetic makeup of Germans, mixed with Old European, and also Celtic people.

Above I have persistently used the word ‘Iranian’ instead of the true word, the real word. The real word is offensive to me and also every every decent person, but at this point I must show it, with the disclaimer that I think the Nazis were monsters. The word Iran is a modern spelling of the original word Aria, which we usually spell Arya, as in Aryan. What does the word mean? It is the verb to be, used as a noun. Understand that? Good. So let’s go back to using Iranian instead.

For many years I have noticed that Hindu philosophical writings such as Upanishads were often stated in a flat, matter-of-fact manner which looked eerily similar to the way Germans write, and more importantly, the way Germans think. None of that whimsical, poetic style of Celts, no; more like a mechanic’s manual than the exalted language of a mystic.

So what is that? It is the flatly stated exact existence. It is saying what is. Rte, or Arte, is the folk philosophy of nomadic Indo-Iranian peoples. It is a no frills, no imagination, no overstatement approach to truth. It is practical and utile in application, and this includes a practical, utile approach to spiritual knowledge.

We have inherited this style of thought from these ancient people of the steppes. Keep using this approach. It works.

Edward Dawson

Relative Pitch in Emotions and Spiritual Attitudes

Observation demonstrates that the ‘spiritual attitude’ of a person in respect to an upcoming event will modify the outcome of the event.

Such ‘attitudes’ override any mental considerations and any forced emotional attitudes such as ‘postulating’ or ‘desiring’.

The modification of spiritual attitudes has been close to impossible in the past for various reasons: firstly, the inability of an observer to observe himself, and therefore ‘feeling himself’, too; secondly, the power of an unreferenced symbol or perception as a ‘near-absolute’ which excludes any other options.

Again, in theory the solution is amazingly simple: if we interpret the attitude as a deviation to a ‘normal’ level of affairs, it suffices to find exactly the attitude of what would be normal to restore freedom from the fixed attitude.

Fortunately, there is correlation to our musical perceptions: if we interpret our ‘stressed’ attitude being in a relative pitch relation to a base frequency, we can immediately access the ‘normal’ attitude exactly the same way as finding the base tone in musical tones.

Experience with the method of applying this concordance yields an amazing result: not only will the fixed attitude be overcome as such, but it also opens up all other possible attitudes. Just as it is the case with music – once the base tone to a given note is known, all other relative pitch notes can be produced.

This method has been found to be of immense value for all three major sections of the Human Self: Higher Self spiritual attitudes) – Emotions (Middle Self) – and Lower Self (soul levels – subconsciousness).

It can be used not only for removal of unwanted emotional conditions or attitudes but also to instill desired qualities for motivation, endurance, and artistic purposes. Notably, it can be used as a door to the much-wanted Flow-State.

The phenomenon of the ‘relative pitch’ is of a fractal character. It can be found in manifestations of all magnitudes and varieties. Yet, with few exceptions, it eluded man’s vision of nature.

With the comprehension of the ‘relative pitch’ of emotions and attitudes being an inner perception and subjective evaluation, this method has been taught so far only in individual Coaching. It has been found that it is not necessary to have already the ability called ‘perfect relative pitch’ in order to apply this method successfully – the process of self-discovery is the same. This method also does not depend on linguistic or musical abilities. It has already been used, for example, as an auxiliary tool for the successful treatment of autism in small children with very limited vocabulary.

In summary, it is highly recommended for all ages and walks of life even for those who do not consider themselves having problems with unwanted emotions or lack of motivation!

— for workshops and seminars, please monitor Max Sandor’s activities on this website or in Twitter. For individual consultations, write him directly at msandor@orunla.org. —